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Most of the time, he sounds like he's been possessed by one of the aristocratic heroes from a Barbara Cartland romance. Elgort in particular struggles with the lines that he has to deliver. Why, for instance, does Hazel, with her intensive knowledge of the cancer-verse, not wonder about Make-A-Wish granting Augustus's wish with such haste when his cancer is in remission? And why would anyone travel from Holland to America only to hand deliver the printout of an email?īut the biggest offender is director Josh Boone, who is entirely unable to handle his cast and as a result both Woodley and Elgort struggle to win the affections of those viewers who aren't already in love with Hazel and Gus, thanks to Green's novel. Weber is not only awkward and dull, it actually manages to make the original novel seem very flawed in its logic. The script by Scott Neustadter and Michael H.
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The cinematography is flat and uninspired, which is a feat in itself since a large part of the film is set in the beautiful city of Amsterdam. More seriously, The Fault in Our Stars has the technical sophistication of a film made by a high school student with their handycam.
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This is largely because Trammell's acting talents are limited to a single, perplexed expression. To begin with, it has True Blood's Sam Trammell cast as Hazel's father, which means that whenever he's on screen, you expect him to turn into a dog. There are a number of things wrong with The Fault in Our Stars. They flocked to the theatres, they cried, they wailed and, from the look of things, a few of them went so far as to steal a bench. Such is the hysterical love for Green's novel that its devoted readership in the West didn't care how mediocre the film is. He'll probably be hoping Millennials can stay off their phones long enough to enjoy that one, though the early reviews haven't been as positive.For fans of Green's novel, there's the satisfaction of seeing beloved characters come to life. Scott's next film, House of Gucci, is out this week. He wasn't much of a fan of Epic Games' version of Apple's '1984' ad, either-Scott directed the original.Ĭovid continues to influence cinema-goers, of course, with many people opting to see blockbusters such as superhero movies on the big screen while waiting for the likes of The Last Duel to hit streaming services. He recently referred to superhero movies as "f**king boring as s**t," and in 2017 said he would rather "keep making smart films" than any featuring DC's and Marvel's characters. This isn't the first time Scott has drawn the ire of a specific demographic.
THE FAULT IN OUR STARS ROTTEN TOMATOES MOVIE
"The bosses loved the movie I was concerned it was not for them." "Disney did a fantastic promotion job," he said. Scott emphasized that Disney went all out in promoting the film. It has an 85% 'Fresh' rating on Rotten Tomatoes and an 81% audience score.īut despite all the praise, The Last Duel has recouped just $27 million from a budget of $100 million. The Last Duel, which stars Ben Affleck, Jodie Comer, Matt Damon, and Adam Driver, is an epic historical drama set in 14th-century France that deals with social issues relevant today. Millennials, for those unfamiliar, are generally classed as those born between 19. "This is a misdirection that has happened where it's given the wrong kind of confidence to this latest generation, I think."
"This is a broad stroke, but I think we're dealing with it right now with Facebook," the 83-year-old director added. "The millennian do not ever want to be taught anything unless you told it on the cellphone." "I think what it boils down to-what we've got today the audience who were brought up on these f***ing cellphones," he said. Scott used his appearance on Marc Maron's WTF Podcast to reveal why he believes The Last Duel performed so poorly. According to the director, the fault lies with apathetic millennials and "their f**kin cellphones." His latest offering, The Last Duel, is another to receive rave reviews from critics, but that hasn't translated into box office takings. A hot potato: Ridley Scott has been behind the camera for some of cinema's greatest and most iconic movies-Blade Runner, Alien, Gladiator, to name a few.